Plan II-VI progressions in C major

Let me give you some easy progressions that will help you in your improvisational piano!

What is the progress?

A progression is a set of agreements will be played. In general, the subsequent agreements in a chord progression share some notes, which provides harmonic and linear continuity for a ride.

What is a II-VI progression?

It is a chord progression with three chords built on the roots of known second, fifth and first in a key.

The threeRoman numerals correspond to the numbers 2, 5 and 1. In its most basic form of the numbers indicate the root of a triad. For example, the Roman numeral I in C major: a triad built from the note C. This triad consists of the notes C, E and G.

The Roman numeral II, in the key of C major will tell you to play a triad built from the notes of the scale of C major from the second note. The notes are D, F and A.

The Roman numeral V indicates a triad built from the fifth stepC-scale. The fifth note of the scale so the CG triad contains the notes G, B and D.

Piano tab notation

In order to demonstrate the agreements that use a format suitable sites for articles. First we will see the center C. The C note in the middle of the keyboard of the piano, sometimes close to the keyhole of a number of pianos is called C4.

The number 4 indicates that the C on the fourth octave of the piano. Of course, there are piano keys with a few keystrokes and a smaller number of octaves. In this case, you think of C4 as middle C and nothing else.

Our first piano arrangement

We will start playing a chord progression triad on the second note, fifth and first in the C scale

LH: D3 RH: D4 F4 A4 (Dm)

LH: RH G3: G4 B4 D5 (G major)

LH: C3 RH: C4 E4 G4 (C major)

As you can imagine LH means left hand and the Dm chord D3 indicates that the note to play on D3> Piano keyboard with the left or at the same time as you play the right notes.

This II-VI progression in C major is a bit 'embarrassing. We must move your fingers a bit 'too much for the chords. We will use the G major chord to adapt a bit 'and play the progression as follows:

LH: D3 RH: D4 F4 A4 (Dm)

LH: G3 RH: B3 D4 G4 (G major)

LH: C3 RH: C4 E4 G4 (C major)

To ensure a smooth transition between the piano stringsII-VI progression agreements can further. Dm11 change Dm G major chord and for the G7.

LH: D3 RH: C4 F4 G4 (Dm11)

LH: G3 RH: B3 F4 G4 (G7)

LH: C3 RH: C4 E4 G4 (C major)

We would also like to change the C major chord to Cmaj7 changes to soften.

LH: D3 RH: C4 F4 G4 (Dm11)

LH: G3 RH: B3 F4 G4 (G7)

LH: RH C3: B3 E4 G4 (Cmaj7)

Finally, we introduce an alternative plan for G. In reality called tritonereplacement.

This means that instead of an agreement of G we will use a deal with the root a tritone interval of G, which is three steps together. Instead of G you play Db 11.

LH: D3 RH: C4 F4 G4 (Dm11)

LH: DB3 RH: B3 F4 G4 (11 dB)

LH: RH C3: B3 E4 G4 (Cmaj7)

This will be the chord changes even smoother, especially down, and perhaps more interesting. You can use this formula, in the key of C means to play Dm, G7 and C, for many interestingvariations on the theme.

It will help you for a great improvisation piano keys have a good understanding of the progression II-VI with different variations, because this progression is used in a wide range of musical genres.

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