There really are secrets are a really good player piano, or is it just a matter of practice, practice, practice?
The practice is necessary, of course, but you can practice until the cows come home without understanding what you do on the piano, and everyone would end up with your fingers to the Act is obedient to what the score or the score tells them to do.
Understand how the music in terms of form and content is the key to productivepractice. Then I'm not just playing mechanically by heart like a machine, but you can get "inside" the music and, finally, let the flow of your brain and heart as your hands.
"There are at least 33 elements that contribute to becoming a good pianist," says Duane Shinn, pianist and owner of Keyboard Workshop in Medford, Oregon. "There are probably more, but without these 33 principles a pianist can not rise to the level of his abilities. Hope '
So yes - there really isits secrets to become the pianist of your dreams. It is not that someone deliberately trying to be a secret to love, but it is rare that a teacher has the opportunity to not only play, but in order to explain music theory - chords, melody, rhythm, dynamics, and all other factors help to play the piano well and with feeling.
In our study, teaching piano at the University Plan, we identified 33 different skills to bedeveloped as a person who wants to play beyond their potential. Here they are:
1 - Hand & Body Position - Have you looked at your hands? How to use the "eye turn"
2 - The key to productive practice - Spaced repetition
3 - Attitude - how it affects learning
4 - How and when to kick. Using explosive dynamics
5 - Exposure: why it is critical
6 - Ear Training - intervals 2nds to 13ths
7 - finger - thatfinger is used when?
8 - Chord substitutions that create fantastic atmosphere
9 - recognition of the agreements - how to recognize what the chords are used
10 - Musical vocabulary: words, time, words form
11 - The organization: How is your "tricks" with it? Head arrangements "
12 - melodic sense: how does the song refer to the strings?
13 - Sight-reading: 7 fundamental principles that can not be ignored
14 - Key orientation: Can you think you are playing keyin?
15 - Acquisition of the score before you start playing
16 - Mental practice - how to learn music in bed
17 - Repertoire: Why you need a to be prepared for every occasion
18 - Goal setting: How far can you get? Is there a limit?
19 - Rhythm awareness - samba, bossa nova, bolero, etc.
20 - Why music is important for you to know
21 - Idea stealing - how and where and by whom
22-12 blues-bar, creating a pattern, "Blue Note"
23 -Extended agreements: 6, 7, 9, 11, 13, suspension
24 - technology acquisition: rubber balls, fingering drills
25 - Harmonization: with I, IV and V to harmonize
26 - Identification key: Recognizing key signatures
27 - Tuning: open, closed, registers, color tones
28 - Improvisation: Making music right out of my mind
29 - Harmony and Theory: How do you know?
30 - stylistic devices: Western, boogie, jazz, etc.
31 - Analysis: Howto understand what you feel
32 - Riffs and runs and fills: How to Develop
33 - Cross-pollination: The best of all worlds!
When reading music is important, the person develops these 33 basic skills will be light years ahead of the person that plays only music the way it is written. There is no reason to be "bound by the written music" when you master these techniques that allow you to play with your heart.
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