YOKO ONO| Michel Philippot: Study |Musique concrète| NOT YOKO ONO!!! MICHAEL HANSEN.

Michel Philippot Study Study Michel Philippot This is NOT Yoko Ono. This was done waaaaayyyyyyyy before Yoko Ono. Michel Philippot's Study, which was composed in 1953, is deliberately free of any poetic or literary association. It is an exercise in pure form organised according to serial principles. It was soon after this, in 1948, that Pierre Schaeffer developed his studio and began to experiment with musique concrete. Some of his first pieces include Etude aux Chemins de Fer, Etude aux Tourniquets, Etude au Piano I, and Etude aux Casseroles, which used sounds ranging from locomotives to whistling tops to spinning pan covers. In 1951 a group was created by the RTF to research this new form of music and le Groupe de Recherches Musicales was formed, headed by Pierre Schaeffer. Musique concrete in the beginning was fairly limited. Though a broad range of sounds were used overall, only a few types of sounds were used for each composition. Some compositions in fact had only one sound source. The music created sounded very spacy and eerie. Feeling, as might it should, very futuristic. The composition usually used long drawn out notes, often very low in frequency. There was very little sense of a rhythm; the music just seemed to flow and evolve, and even this, very slowly, creating a very long composition length. It followed a form similar to some of the new age music being created today and probably was a predecessor of new age music. As musique concrete evolved, it became ...

Recommend : Sunglasses Store. LOWER Prices in The Same Item Pool Enclosure Buy Cheap Bass Guitars | LOWER Prices